"Fight!"
/It's about grisly emotions and violence.
Read MoreThis is the updated and illustrated version of the document that many people are calling a new Bible for agnostics. They're saying the old Bible sucks, and this one is way more direct and to the point and it doesn't rely on stories about magicians to convince you to be a good person. Hey- I'm not saying any of this stuff, many people are. I'm not one of them, so don't kill the messenger. I'm just saying it's a good little minicomic and you should buy one.
Read MoreThe Slow Burner has been one of my favorite little pieces to work on for the past few weeks. The full piece is 11"x17", watercolor and ink on Rives BFK paper.
Read MoreAvailable now-- for the first time ANYWHERE EVER-- The Frisco Yeti, issue #1; The NorCal Cannasseur. It's available exclusively in the CheckThisOutBabe.com store, but you can see the first 3 pages here!
Read MoreSneak a peek at what's coming off the drawing table...
Read MoreIt's time for the Jurassic Park franchise to finally take off the training wheels and start doing wheelies.
Read MoreBeen sitting on this illustration for a while now. It was the first drawing I finished for my #IllustrationADay project, through hard-pencils for that first round. I think I got up to 6 consecutive days for that one. By the time I tapped out on the project, though, I'd knocked out about 40 really good illustrations. They then sat in my inbox (the purgatory of good ideas) for a few months, but most of them are fully inked and colored now. They're sitting in my publishing queue, waiting for me to stop day dreaming about Bolivia. They can keep waiting.
Read MoreAfter finishing my drawing of A Man Of Adventure taking a leap of faith, I couldn't help but to think about the moments that would come next...
Read MoreLet's face the facts: superheroes today are a bunch of pussies. Iron Man is a technocratic socialist, Captain America is a traitor, and Superman is an emo little buttplug.
Read MoreI finished coloring this piece a few days before we took off for La Paz. I'm pretty happy with how it came out, and now felt like a good time to push it.
Read MoreIn my version of Hanna-Barbera's "Wacky Races", Muttley is a disgraced American service-dog who has been kicking around Europe since the end of the second World War.
Read MoreThis piece and accompanying script were done as a fan, with love and admiration for DC Comics and all of the creators who breathed life into these characters.
Read More"Heeeeeeeyyyy, he went yard on that one! Teddy f*ckin' Ballgame! Waka waka waka!"
#FozzieFozzowitz #JewBear #IngloriousMuppits
Read More"Oh Piggy, I just hate those gosh-darn Nazi's so much!"
#KermitTheApache #IngloriousMuppits
ABC is having a hard time figuring out exactly what to do with the Muppets, once one of the hottest properties in Hollywood. God knows I loved them growing up, but now it seems like every other year they're trying to relaunch a movie or a TV series only to see it flop.
So being a bit of a creative genius, I figured I'd turn my attention to solving this problem, and– I gotta tell ya– I think I knocked it out of the park. We just take that old Muppets, maddash Hollywood charm and give it a little modern grit with some help from one the master of modern grit, Quentin Tarantino.
Read MoreI'm really happy with this little fight scene. Colored version is sitting on my desk, waiting to get scanned. I mostly drew it for the purpose of color, so let me describe it to you so you can get the full effect now:
Read MoreThere is a lot of cursing, because people love cursing.
Read MoreShazarro was created when Mister Mxyzptlk extracted him from the demented imagination of Bizarro. This inner "Bizarroland" is populated by manifestations of the monster's fractured and distorted understanding of the world around him. Mxyzptlk found Bizarro's mental rendering of Shazam, stole his secret word, and bestowed it upon young Freddie Dingus–truly, the biggest shithead on earth.
Read MoreA short while back, I set upon the challenge of completing a new illustration every day for as many consecutive days as I possibly could. I did it because I was in a bit of a creative funk, and I wanted to serve my most fundamental creative impulse: to draw pictures that tell stories.
Read MoreI– like many illustrators– keep a day job. We're mostly a bunch of working-class jabroni's who beat the creative anvil on our nights and weekends. It's not the robust industry it once was. Maybe a guy like me would have had a desk in the offices of a newpaper 20 years ago, but that time has passed. So I push lead and sling ink between shifts, mostly for love of the art but it also pulls in some extra scratch. That's called the American dream, babe.
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