"Fight!"
/ Bo McGeeThis little fight scene has been sitting in my publishing queue for about 6 months.
Which makes sense, because it was one of those pieces that I drew with pencils in my sketchbook, then I inked it months later, then I colored it a year after that. I finally added the big bloody splotch and realized it was done.
In the course of the process, a scene unfolded. It became a part of the backstory of a character in a comic that I've been working on in my head for years. It's about grisly emotions and violence.
I felt like I needed to write the story to publish it with this illustration, but then I changed my mind. Half the story lives in a google doc and it gets an edit every few months. It'll be done when it's done.
But that's not the illustration's fault. The illustration wants to live. It needs to be seen to live.
So check this out out...
- Penciled with my handy Pentel GraphGear 1000 .5 mm, the world's greatest mechanical pencil.
- Inked with my Pentel Brush Pen and some Microns.
- Colored with flesh tone Copic markers, standard art markers, and a bit of watercolor.
- Used red ink to create the blood splotch on a piece of design vellum, then combined the images in photoshop.
The name of the piece is "Fight!"
Check out more work from my #illustrationaday project...
This is my illustrated proposal for a franchise-reboot of the “American Werewolf in…” film series (“An American Werewolf in Paris” [1997] and “An American Werewolf in London”[1981]). Obviously, reboots are great but we want to avoid some of the pitfalls of the modern reboot model while capitalizing on its proven ability to kick serious ass.
Been sitting on this illustration for a while now. It was the first drawing I finished for my #IllustrationADay project, through hard-pencils for that first round. I think I got up to 6 consecutive days for that one. By the time I tapped out on the project, though, I'd knocked out about 40 really good illustrations. They then sat in my inbox (the purgatory of good ideas) for a few months, but most of them are fully inked and colored now. They're sitting in my publishing queue, waiting for me to stop day dreaming about Bolivia. They can keep waiting.
In my version of Hanna-Barbera's "Wacky Races", Muttley is a disgraced American service-dog who has been kicking around Europe since the end of the second World War.
Plus, read my script for Shazarro #1, featuring Batman and Black Adam.
This piece and accompanying script were done as a fan, with love and admiration for DC Comics and all of the creators who breathed life into these characters.
"Heeeeeeeyyyy, he went yard on that one! Teddy f*ckin' Ballgame! Waka waka waka!"
#FozzieFozzowitz #JewBear #IngloriousMuppits
"Oh Piggy, I just hate those gosh-darn Nazi's so much!"
#KermitTheApache #IngloriousMuppits
ABC is having a hard time figuring out exactly what to do with the Muppets, once one of the hottest properties in Hollywood. God knows I loved them growing up, but now it seems like every other year they're trying to relaunch a movie or a TV series only to see it flop.
So being a bit of a creative genius, I figured I'd turn my attention to solving this problem, and– I gotta tell ya– I think I knocked it out of the park. We just take that old Muppets, maddash Hollywood charm and give it a little modern grit with some help from one the master of modern grit, Quentin Tarantino.
MakingComics.com is a great resource for illustrators at all levels, and one of my favorite websites. I recently stumbled into this great blog about using the Golden Ratio to form the composition of your illustrated pieces, and that's just what I did with this fella.
It's about grisly emotions and violence.