"SNAKE MAN!"
/ Bo McGee"Help me Snake Man!" The Ultimate Warrior moans, his desperate gasps fogging up the tiny window that separates him from his tormentor, Jake "The Snake" Roberts.
Warrior is equal parts David Bowie and Bizzaro Superman. He is a garish lunatic, throbbing with bovine growth hormones and snarling nonsense. He is the good guy, and he is in peril.
I never should have a trusted a man whose nickname is "The Snake."
Jake Roberts is the scariest thing I have ever seen in my life up to that point. He is seething with sadistic, predatory delight. There is a twinkle in his eye and his voice is damp and lusty. He is playing cat and mouse with the most powerful force I have ever been witness to,
I am 10 years old, small and weak, and I am in peril too. A pane of glass also separates me from the villainous Snake Man. I want to smash through so the Warrior can get out, or maybe so I can get in.
Looking back on it now, I feel so foolish. I never should have a trusted a man whose nickname is "The Snake". Also, pro wrestling isn't real*
I started this piece as my coup de grace for Inktober. I don't feel particularly strong in my inking, so I try to get a lot of rep's in. A lot of shitty zombies had preceded this piece, so I decided to keep it pretty straightforward.
Somedays it's an anvil, somedays it's an altar.
As an illustrator, I wanted the piece to connect to the Warrior's experience. I put the viewer on Jake's side of the door so that I could put a tight box around Warrior's panicked face and crank up the claustrophobic reaction. Also, we get the experience of being complicit with Jake by way of being a passive viewer.
I was really happy with my character drawing, but so what? A great performance is useless to a director if they can't work the camera. I wanted this piece to capture the betrayal of the Ultimate Warrior from the perspective of my 10 year old self, so I wanted to see him futilely crying for help.
What better way for a crappy inker to cap off Inktober than with a wash? I grabbed a brush and dumped some india ink all over the page. I'm happy with the result, too.
*you're not real.
This is the updated and illustrated version of the document that many people are calling a new Bible for agnostics. They're saying the old Bible sucks, and this one is way more direct and to the point and it doesn't rely on stories about magicians to convince you to be a good person. Hey- I'm not saying any of this stuff, many people are. I'm not one of them, so don't kill the messenger. I'm just saying it's a good little minicomic and you should buy one.
The Slow Burner has been one of my favorite little pieces to work on for the past few weeks. The full piece is 11"x17", watercolor and ink on Rives BFK paper.
Available now-- for the first time ANYWHERE EVER-- The Frisco Yeti, issue #1; The NorCal Cannasseur. It's available exclusively in the CheckThisOutBabe.com store, but you can see the first 3 pages here!
It's time for the Jurassic Park franchise to finally take off the training wheels and start doing wheelies.
Been sitting on this illustration for a while now. It was the first drawing I finished for my #IllustrationADay project, through hard-pencils for that first round. I think I got up to 6 consecutive days for that one. By the time I tapped out on the project, though, I'd knocked out about 40 really good illustrations. They then sat in my inbox (the purgatory of good ideas) for a few months, but most of them are fully inked and colored now. They're sitting in my publishing queue, waiting for me to stop day dreaming about Bolivia. They can keep waiting.
After finishing my drawing of A Man Of Adventure taking a leap of faith, I couldn't help but to think about the moments that would come next...
Let's face the facts: superheroes today are a bunch of pussies. Iron Man is a technocratic socialist, Captain America is a traitor, and Superman is an emo little buttplug.
I finished coloring this piece a few days before we took off for La Paz. I'm pretty happy with how it came out, and now felt like a good time to push it.
From getting my first job in the weed business to seeing the future of the legitimate cannabis industry; the journey is long and far from over.
#CLOCKTALK is a transmedia talk show, produced live in real time with no script and driven forward by a real time dialogue with the audience.
Zebronkey Dreams represents cutting edge innovation. We've taken the popular trend of coloring apps and repackaged them into this sturdy, hard-media interface platform, which is fully operational off-line and has a cool retro aesthetic!
On a recent trip through Grass Roots, I stumbled upon a demo for Heshies, a brand of pre-rolled joints that feature a cigarette-like filter. Read on for my full review...
I recently picked up the Pax Era and took it for a test drive. It's got a futuristic look and a lot of buzz, but does the smoking experience stand up? Read on to find out.
It's about grisly emotions and violence.